Gallery Wendi Norris’ final exhibition at 161 Jessie Street, Threads of Memory: One Thousand Ways of Saying Goodbye, presents a celebratory survey of the gallery’s program, including emblematic works by each of the 18 represented artists. The exhibition highlights the rigorous and richly varied artworks that anchor the gallery’s transcultural approach, while tracing threads of influence and connection between the artists. Leonora Carrington’s Operation Wednesday (1969), an exquisitely rendered canvas commemorating and mourning students who were killed in violent uprisings in Mexico in 1968, is juxtaposed by Ana Teresa Fernández’ new small canvases from her Erasure series, paintings that document a performance by the artist to honor the 43 students who were unjustly killed as a way to silence their protests in a more recent 2014 tragedy. Firelei Báez’ Study for Flight No.1 (archived, the order of Anacaona) (2017) is juxtaposed with Dorothea Tanning’s 1960 oil, Visite jaune (Visite éclair), two paintings that strike a deft balance between abstraction and figuration. Also on view are video works by Julio César Morales, Ranu Mukherjee and Miguel Angel Ríos, experimental photographs by Christine Elfman, Chris Fraser, Yamini Nayar, and Eva Schlegel, paintings on canvas by Marcel Jean, Wolfgang Paalen and Peter Young, and a precious wooden object by Remedios Varo.
Torre Cube, Galería Curro, Guadalajara, Mexico
Exhibition Opening: Friday, February 2, 7-9 PM
Exhibition Hours: Monday-Friday, 10-6 PM
Gallery Wendi Norris is pleased to present Yorgo Alexopoulos: Drifting on a Memory, the Los Angeles-based artist’s second solo exhibition with the gallery.
Gallery Wendi Norris presents new and never-before-exhibited modern and contemporary artworks by Firelei Baez, Chitra Ganesh, Yamini Nayar, Wolfgang Paalen, Eva Schlegel, Dorothea Tanning and Peter Young. Spanning the years 1935 – 2017, the careful selection of works represent important art historical moments of the last 80 years, while never fitting neatly or distinctly within their respective categorical ‘boxes’. The presentation will weave together early perspectives of Paalen on the spirituality of abstraction from the 1930s, with the whimsy-infused formalism of Young that emerged in the 1970s and the sculptural photo explorations of Yamini Nayar; simultaneously, Tanning’s kaleidoscopic 1960s abstractions that subtly suggest human form, with the bold, mythological feminist figures of Chitra Ganesh and Firelei Báez.
Opening Reception: Thursday, May 18, 6-8PM
Opening Reception: March 23, 2017, 6-8pm
Opening reception: January 18, 6-8pm
For Italian/German artist Michael Fliri’s debut solo exhibition in the United States, Becomings features seven Artistone, paint, metal and MDF sculptural objects in the form of masks on finely crafted custom podiums. These works are from his series Where Do I End and the World Begins. Utilizing the collection of the International Mask Museum, Germany, as source material, the work inverts the mask as a sculptural object and redefines its meaning. These sculptures express a space between cultures or a moment in one’s own personal evolution. They describe the process of building identity and the construction of personas. Fliri achieves this by casting the interior surface of traditional ethnic masks for use as the exterior of a new mask and then uses casts of the exterior of another culture’s mask as the interior of the first mask. In this way, the artist inverts a cultural signifier of ritual and identity and enables a mask from Mexico to “look through” a Japanese mask, and the inside of a mask from Korea to be in contact with a mask from Tibet.